The look embodies the idea of an ephemeral being — a delicate presence whose mission is to restore poetry and harmony in forgotten spaces. This is more than a costume; it is a symbolic artifact, crafted by hand at the intersection of theater, fashion, and film. The Moth Agent is a fragile, elusive envoy of beauty who works not through force, but through light, movement, and quiet magic. Their purpose is not to fight — but to transform.

The shoot takes place at the Archangelskoye estate, a setting that acts as a metaphor for a bygone era. Once a beacon of grandeur, now a sleeping relic, the estate becomes more than a backdrop — it is the stage upon which the Moth Agent reawakens the aesthetics of the past. This character exists in dialogue between past and present, surface and soul, appearance and meaning.

The violet trench coat, tailored from structured fabric, is a reimagined classic. Fringed detailing softens its silhouette, blurring the line between outerwear and something more intimate, like a boudoir robe — an allegory for the dissolving boundary between exterior and interior worlds. Hundreds of handcrafted butterflies — cut from organza, plastic, sequins, swarm the garment, creating the illusion of a living field.

The headpiece is a dramatic focal point: oversized wings made from weightless organza and iridescent film evoke the surreal nature of the agent. Antennae-like tendrils recall symbols of nocturnal intuition, while glittering over-the-knee boots, hand-embellished, extend the look vertically — giving the impression the agent hovers just above the ground.

This costume exists in the realm of fantasy baroque, infused with touches of art nouveau — a balance between fairy tale romance and conceptual avant-garde. The Moth Agent appears as a weightless figure of transformation through beauty: an aesthetic envoy of change.